Log Twenty Two- Update in Career

So it has been an awfully long time since I have done an update. I have been vigorously writing up my Critical Review and running around trying to hand out my surveys but new items in my life have been keeping me very occupied from blog updates, which is bad news for my blog but great news for my career and progress in the fashion industry.

I am extremely happy to announce that I am now a junior agent with TrueColours Model & Talent Agency here in Toronto. I have only been an agent for a month and I already have a solid roster of girls and guys who have also already been booking. The best part is the agency has exactly the same values and ideals as I do when it comes to models. They have a very diverse roster and give all their models different opportunities and experiences in the fashion industry, even finding jobs for acting and theatre.

There is so many different races, sizes, heights and ages that there is no restriction on what is considered beauty. I have been following this guideline while still making sure that my models meet some of the requirements that a high fashion model would meet as well as commercial.

Toronto still has a very outdated view on what a runway model should be. Blonde hair, blue eyes, Caucasian, 5'10 and overly thin body type. I am so proud that my models are so very different but so interesting which may not necessarily help me book them jobs in Toronto, but there is huge opportunity for places like Europe which are constantly trying to be different and look for something new. I would like to help change Toronto's view though. I have also been picking girls who are the trend or standard (blue eyes, blonde hair, tall) but are alternative (tattoos, pink hair) that are actually not considered "standard". Alternative models I have find make the best models, they are so creative and dramatic. They put so much passion into the photos and they have a no fear attitude.

I have really been enjoying it so far but it is a lot of work and does sometimes get in the way of my Critical Reflection progress. Although it has also helped because now I am getting a greater insight and understanding of this industry than I ever did as a model, jewellery designer or stylist. This can definitely help me progress further with the project. I just need to start focusing better on time management.

I will be posting another blog momentarily discussing more about agencies and body images/looks of models. My arguments about why sticking to the standard is not only harmful to your models' health but how it can be harmful to your business (the agency).

I have also attached a collage of some of my girls (and guy) on my roster, I am just extremely and excited to find such a beautiful, talented and interesting group of people. I am looking forward to the progress of this, where it will lead and how much it will impact this Critical Reflection. I am glad I did postpone the due date, this turn around in my life will make for interesting material.

 

Log Twenty- My In Campus Experience

Now that I am finally back in Canada, well rested, jetlagg averted and with a free day I can finally blog! For those of you who did not know, I attended the in campus session on the 31st of October with my five day trip back to the UK (as you can see I have attached a few photos from my trip including a photo of myself wearing my new Middlesex Uni hoodie). It was a really terrible morning at first, I was violently ill for some reason. Not sure if it was the jetlagg, if I had a twenty four hour flu or I had simply ate something that didn't agree with me. Whatever the reason it was a NOT pleasant trip from Cambridge up to Hampsted Central. But I made it in time to catch the last part of the morning class and have a chance to talk to Paula before the afternoon session. By lunch time I was much better so I could enjoy and partake in the discussions.

I am glad I was able to attend one of the in campus sessions before the course is over, it gave me a greater understanding of my Critical Review and a better idea what I am trying to research. Paula asked me for my question what I was trying to find out and I responded with, "What it takes for one to be successful in the fashion industry?" Paula pointed out that success can mean multiple things to multiple people and that I need to narrow down the term "success" more. I now know that I want to find out how you can be FINANCIALLY successful in the fashion industry. The reason I am going to look into the financial side is because that is one of the hardest things to achieve in the field of fashion. It's not the amount of magazines/commercials you have/your work has appeared in, it's the size of your pay cheque. Success equals financial stability.

Another one of the main points I brought back from the session is to remember when doing your research, do not be one sided. It's important to get another perspective into your research so there is more information to give. They way it was described in the session to get a better understanding of why it is important was see it as a mountain. If you just stare at the mountain on one side you may never find out the mountain has a river on the other side or forest. You need a lot of views to learn more and have a greater understanding for your inquiry.

This affects my research and inquiry because now it has made me think that people in the GTA (Toronto and surrounding areas of Ontario, Canada) may find connections and networking is the best path to success and financial stability but out West in Canada (British Columbia, Alberta, etc), they may see it as what degree/talent you have earned.

I thoroughly enjoyed the session and it was so interesting listening to everyone else's research plans, what they were trying to achieve from their inquiries, future or current career plans and just getting to know those in general face to face (finally) in my group. I loved seeing the Middlesex campus itself and getting my own Middlesex hoodie (thanks Paula), but most importantly getting a better idea of what direction I want to take my critical reflection into. I just wish my stay had been longer.

More blogs to come! Sorry for the delayed blog but I have been so jetlagged since I have been back and my job was taking up so much of my time and energy. I am now part time at my job so that will make such a difference!

Another important aspect of Fashion Communication ethics...

Journalism.

A lot of what involves Fashion Communication, meaning "mass commuincation" is the journalism side. I have been doing much of this with my SIG blog and with it's every growing popularity I must follow the code of ethics for journalism. I researched this aspect through Wikipedia and found a long list:

"The primary themes common to most codes of journalistic standards and ethics are the following.

[edit]Accuracy and standards for factual reporting

• Reporters are expected to be as accurate as possible given the time allotted to story preparation and the space available, and to seek reliable sources.
• Events with a single eyewitness are reported with attribution. Events with two or more independent eyewitnesses may be reported as fact. Controversial facts are reported with attribution.
• Independent fact-checking by another employee of the publisher is desirable
• Corrections are published when errors are discovered
• Defendants at trial are treated only as having "allegedly" committed crimes, until conviction, when their crimes are generally reported as fact (unless, that is, there is serious controversy about wrongful conviction).
• Opinion surveys and statistical information deserve special treatment to communicate in precise terms any conclusions, to contextualize the results, and to specify accuracy, including estimated error and methodological criticism or flaws.

[edit]Slander and libel considerations

• Reporting the truth is almost never libel [3], which makes accuracy very important.
• Private persons have privacy rights that must be balanced against the public interest in reporting information about them. Public figures have fewer privacy rights in U.S. law, where reporters are immune from a civil case if they have reported without malice. In Canada, there is no such immunity; reports on public figures must be backed by facts.
• Publishers vigorously defend libel lawsuits filed against their reporters, usually covered by libel insurance.

[edit]Harm limitation principle

During the normal course of an assignment a reporter might go about—gathering facts and details, conducting interviews, doing research, background checks, taking photos, videotaping, recording sound—harm limitation deals with the questions of whether everything learned should be reported and, if so, how. This principle of limitation means that some weight needs to be given to the negative consequences of full disclosure, creating a practical and ethical dilemma. The Society of Professional Journalists' code of ethics offers the following advice, which is representative of the practical ideals of most professional journalists. Quoting directly:^[17]

• Show compassion for those who may be affected adversely by news coverage. Use special sensitivity when dealing with children and inexperienced sources or subjects.
• Be sensitive when seeking or using interviews or photographs of those affected by tragedy or grief.
• Recognize that gathering and reporting information may cause harm or discomfort. Pursuit of the news is not a license for arrogance.
• Recognize that private people have a greater right to control information about themselves than do public officials and others who seek power, influence or attention. Only an overriding public need can justify intrusion into anyone's privacy.
• Show good taste. Avoid pandering to lurid curiosity.
• Be cautious about identifying juvenile suspects or victims of sex crimes.
• Be judicious about naming criminal suspects before the formal filing of charges.
• Balance a criminal suspect's fair trial rights with the public's right to be informed.

[edit]Presentation

Main article: News style

Ethical standards should not be confused with common standards of quality of presentation, including:

• Correctly spoken or written language (often in a widely spoken and formal dialect, such as Standard English)
• Clarity
• Brevity (or depth, depending on the niche of the publisher)"

[edit]

Taken from Journalism ethics and standards Wikipedia

Truthfulness, accuracy, objectivity, impartiality, fairness and public accountability and limitation of harm are the main ethics highlighted here. Other important ethics involving fashion communication is advertising. After reading Advertising Ethics: Emerging Methods and Trends the most important points and the ones that were vital to fashion communication were use of deception, racial and sexual stereotyping. Although I do believe use of deception is very prominent in the fashion industry with peoples' appearances being widely altered and screwing our perception of beauty. Companies like Dove are trying to prevent the use of deception but there is still a long way to go.

Critical Reflection and Summary: Digital Portfolio

 

Fashion Communication is mostly obtained from Ryerson University situated in Toronto, Ontario, Canada. Fashion communication is described as one of the fields of “mass communication”. It is a mode of mass communication to promote fashion with such methods as social media, exactly what we have been learning through the BAPP course. Other methods used are video, advertisement, films, etc. Ryerson University describes Fashion Communication as, “Business-related courses in areas such as marketing, business, communication, fashion in international markets, fashion and society are combined with professional studies in communication design, illustration, typography, curation and exhibition, photography, video production and fashion journalism to produce a graduate who can work in all areas of fashion communication.” (Ryerson Faculty of Communication and Design website, http://www.ryerson.ca/calendar/2010-2011/PDF/Comm_Design-FT-1011.pdf.)

The reason I have chosen Fashion Communication as a suitable title is because the description of what exactly it is ties into a lot of what I do. Not only am I involved in the modeling process of the fashion industry but I have been involved in the production, design, marketing, business and communication side as well. Social media such as my Facebook fan page, Twitter and my SIG blog which has become more popular than I expected are great examples of my work in communication. These outlets have also helped in the business and marketing side of my career, helping to promote the business which is myself.

I have been observing those around me in the fashion industry and  I ask questions that have been transformed into my inquiry questions. I have also begun to take steps in approving my design skills such as signing up for jewelry design courses at a nearby college called George Brown. I have also been observing and learning from my friend, mentor and employer Andy Jones on aspects of sewing and clothing design. Andy Jones is a designer fresh out of college who has already started to make a name for himself. He is one person who has definitely helped me in different ways in the fashion industry.

Answering the question in Reader 4, “What knowledge and skills do you think you will need for the future?” I have already lightly touched that. Fashion Communication involves not only the knowledge of communication, marketing and business but aspects of design, illustration and basically the general production side of the fashion industry. Fashion communication is the back bone of the fashion industry and one must have a broad knowledge and extensive amount of talent in order to be successful. As I said before, I am taking these steps by attending classes, observing my peers, being involved in the production of shoot and shows behind the scenes as well as in front. There will be skills though that I know for sure I will need, for example, photography and graphic design. Once I have mastered the clothing/jewelry design and illustration part I will begin to look into these fields as well.

One important aspect of my Critical Reflection that I would like to bring up is my work in jewelry design. The jewelry design was all part of observation, trial and error and asking questions from peers. My jewelry would not be at the level it is at now if it wasn’t for trial and error especially. After much experimenting and help from Andy Jones, my designs now have a very definite look and skill added to them. Taking Andy’s advice and reading from such books as “Drawing Jewels for Fashion” by Carol Woolton, I am currently creating jewelry that has a “story”, a certain look and have used my knowledge and own life experiences to make jewelry that identifies me as a designer. Before I would just create anything that popped into my head that I thought would be aesthetically pleasing without a plan or a background story to it. Reading about the successful and international jewellery designers in “Drawing Jewels for Fashion” I learned they all were inspired by something, whether it was nature, an ancient civilisation or even their own life story. That’s how I’ve come to the conclusion to incorporate my dance training and my love for the ballet into my jewels. I am also very particular about material that I use now. For example, lately I created my “Swan Lake” earrings and matching necklace and took particular close attention to what materials I was using and if they were appropriate to the theme. I used very light and feminine materials, or at least what I consider light and feminine, such as white gold, fresh water pearls which were the colour of baby pink, Swarovski jewels which were either black or white to represent the two swans and black glass beads cut to look like feathers representing the black swan (which you can see examples of in the above pictures). My design is still through trial and error but I definitely think it has improved the last couple of months.
I think if I keep persueing the different skills needed for Fashion Communication my inquiry can be a success especially if I continue to ask the right questions from the right people and continue observations.

As for ethics I will review what I have posted here and there through my blogs in the past altogether in this summary. What I have learned about the ethics of the fashion industry is to make a brand for yourself, whether it is design or marketing. Whatever you are doing must not be an idea concocted from thin air, there must be an explanation and/or a story behind. Research and paying close attention to detail is extremely important. Many people coming into the fashion industry think this business is just about making something or someone look pretty. There is so much time, research and thought put into the work that if you're not willing to do all three then you will not be successful. Most importantly it is who you know. Networking and connections are what get you by in this industry so paying close attention to asking the right questions to the right people is vital. Sometimes though this has no effect and someone could simply not like you for whatever reason. This business is very finicky and you could tread on someone's toes without even realising what you said or had done. It is very hard to know what the ethics are in the fashion industry but from a survey I did in my SIG blog I learned at the end of the day it is who you know.