About Me

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Born in Toronto, I began dance training at an early age starting with ballet which eventually progressed into a main focus of jazz. Starting at the age of six I began my constant flip flopping of living in England and Canada. When in Toronto I attended the Interplay Dance School. In England I attended classes at Bodywork Studios. After alternating between living in England and Toronto with my family, I graduated from the Bethany Hills School near Peterborough, Ontario, to attend George Brown Dance with their foundation program. After George Brown I flew back to England for the third time in my life to attend the Cambridge Performing Arts College for three years, my major being dance, but discovered my true calling was the fashion industry. I have worked as a freelance model for three years and a stylist for just a year, also freelance. I put a lot of what I learned from my years of performing arts study into my modeling and into my styling, on occasion have actually had to model as a ballerina or style for dancers. I have worked with many prestigious people in the fashion industry already.

Monday, 14 May 2012

Critical Reflection and Summary: Digital Portfolio





 
Fashion Communication is mostly obtained from Ryerson University situated in Toronto, Ontario, Canada. Fashion communication is described as one of the fields of “mass communication”. It is a mode of mass communication to promote fashion with such methods as social media, exactly what we have been learning through the BAPP course. Other methods used are video, advertisement, films, etc. Ryerson University describes Fashion Communication as, “Business-related courses in areas such as marketing, business, communication, fashion in international markets, fashion and society are combined with professional studies in communication design, illustration, typography, curation and exhibition, photography, video production and fashion journalism to produce a graduate who can work in all areas of fashion communication.” (Ryerson Faculty of Communication and Design website, http://www.ryerson.ca/calendar/2010-2011/PDF/Comm_Design-FT-1011.pdf.)

The reason I have chosen Fashion Communication as a suitable title is because the description of what exactly it is ties into a lot of what I do. Not only am I involved in the modeling process of the fashion industry but I have been involved in the production, design, marketing, business and communication side as well. Social media such as my Facebook fan page, Twitter and my SIG blog which has become more popular than I expected are great examples of my work in communication. These outlets have also helped in the business and marketing side of my career, helping to promote the business which is myself.

I have been observing those around me in the fashion industry and  I ask questions that have been transformed into my inquiry questions. I have also begun to take steps in approving my design skills such as signing up for jewelry design courses at a nearby college called George Brown. I have also been observing and learning from my friend, mentor and employer Andy Jones on aspects of sewing and clothing design. Andy Jones is a designer fresh out of college who has already started to make a name for himself. He is one person who has definitely helped me in different ways in the fashion industry.

Answering the question in Reader 4, “What knowledge and skills do you think you will need for the future?” I have already lightly touched that. Fashion Communication involves not only the knowledge of communication, marketing and business but aspects of design, illustration and basically the general production side of the fashion industry. Fashion communication is the back bone of the fashion industry and one must have a broad knowledge and extensive amount of talent in order to be successful. As I said before, I am taking these steps by attending classes, observing my peers, being involved in the production of shoot and shows behind the scenes as well as in front. There will be skills though that I know for sure I will need, for example, photography and graphic design. Once I have mastered the clothing/jewelry design and illustration part I will begin to look into these fields as well.

One important aspect of my Critical Reflection that I would like to bring up is my work in jewelry design. The jewelry design was all part of observation, trial and error and asking questions from peers. My jewelry would not be at the level it is at now if it wasn’t for trial and error especially. After much experimenting and help from Andy Jones, my designs now have a very definite look and skill added to them. Taking Andy’s advice and reading from such books as “Drawing Jewels for Fashion” by Carol Woolton, I am currently creating jewelry that has a “story”, a certain look and have used my knowledge and own life experiences to make jewelry that identifies me as a designer. Before I would just create anything that popped into my head that I thought would be aesthetically pleasing without a plan or a background story to it. Reading about the successful and international jewellery designers in “Drawing Jewels for Fashion” I learned they all were inspired by something, whether it was nature, an ancient civilisation or even their own life story. That’s how I’ve come to the conclusion to incorporate my dance training and my love for the ballet into my jewels. I am also very particular about material that I use now. For example, lately I created my “Swan Lake” earrings and matching necklace and took particular close attention to what materials I was using and if they were appropriate to the theme. I used very light and feminine materials, or at least what I consider light and feminine, such as white gold, fresh water pearls which were the colour of baby pink, Swarovski jewels which were either black or white to represent the two swans and black glass beads cut to look like feathers representing the black swan (which you can see examples of in the above pictures). My design is still through trial and error but I definitely think it has improved the last couple of months.
I think if I keep persueing the different skills needed for Fashion Communication my inquiry can be a success especially if I continue to ask the right questions from the right people and continue observations.





As for ethics I will review what I have posted here and there through my blogs in the past altogether in this summary. What I have learned about the ethics of the fashion industry is to make a brand for yourself, whether it is design or marketing. Whatever you are doing must not be an idea concocted from thin air, there must be an explanation and/or a story behind. Research and paying close attention to detail is extremely important. Many people coming into the fashion industry think this business is just about making something or someone look pretty. There is so much time, research and thought put into the work that if you're not willing to do all three then you will not be successful. Most importantly it is who you know. Networking and connections are what get you by in this industry so paying close attention to asking the right questions to the right people is vital. Sometimes though this has no effect and someone could simply not like you for whatever reason. This business is very finicky and you could tread on someone's toes without even realising what you said or had done. It is very hard to know what the ethics are in the fashion industry but from a survey I did in my SIG blog I learned at the end of the day it is who you know.

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